70's Bungalow: Progress 3

Finishing details are taking place at the 70's Bungalow project.  It's truly my favorite part of the process seeing all the custom elements being perfectly fit into place and witnessing the entire house transform as fresh paint is applied and new millwork is installed.   Its the custom details and thoughtfully coordinated specifications that distinguish a well designed home from your average Developer's build or DIY renovation.  Only with hands-on involvement and the direct supervision of an Interior Designer is this quality of detail possible on a project.  Just having the plans or the ideas for specific design details is not enough,,,,,,communicating directly with the fabricators and installers throughout the process is critical in order for it to come together properly and effeciently.  With this interior nearing completion,  I've been on site almost daily giving instruction and direction as the finishing details are coordinated amongst several different trades and installers, if just one element is wrong its a domino effect of very expensive mistakes.    

A custom double sink, floating vanity with matched horizontal veneers was installed in the master ensuite.  The faucets will be wall mounted into a calaccatta slab backsplash which disappears up behind a custom floating full height mirror with sconces mounted on top of the mirror.  The desired effect is all about simple, clean modern lines but the amount of coordination required to get all these elements perfectly aligned and installed is anything but simple.  For this one vanity I had to meet with the rough carpenter, the plumber, the electrician, the cabinet maker, the cabinet installer, the marble supplier and the glazing contractor, each separately and on different visits.   The junction boxes for the sconces have been moved twice, the vanity re-installed once.  Finger's crossed the rest of it goes smoothly

Slabs of calaccatta were selected for the countertop and shower jambs to try and match the large calaccatta floor tiles.  This beautiful section of the slab was specifically chosen for the soap niche in she shower and you can see how perfectly the fabricator matched the veining, its like a piece of art.

We had the large floor tiles cut down to small 2" x 2" tiles for the shower floor so we would have consistency in the marble colouration and veining.  Freshly painted walls await towel bars and artwork...

The custom vanity in the guest bathroom awaits its new Caesarstone countertop and undermount sink.  The walls and trim are ready for paint.

The kitchen cabinetry with beautifully matched select veneers has been perfectly fit into place.  

Counter depth appliances with custom front panels create a truly integrated look.

Crisp white paint is applied in all the common areas and living spaces.

There's simply no other wall colour that I react stronger to than Cloud White, it takes my breath away every single time, every single house I see it in, its eatheral.  The newly painted interior was the turning point in the transformation, instantly the spaces looked fresh and modern and sophisticated all at the same time.

Invisible hinges and automatic light switches are meticulously routered into the front closet door jambs.

Flat cut walnut veneer gives a beautiful furniture quality to the closet doors, the wood grain is simply stunning I'm almost afraid to put handles on them...

The rest of the interior doors have been installed and painted and the pair of rolling doors are almost ready to go up (on the left).

This stainless steel rolling track hardware has been a mini project all on its own but the master trim carpenter has patiently figured it all out with a little help from me and a few espressos.

Non-custom cabinetry was installed in the laundry room, the new counter, stainless steel backsplash and sink will be installed next week.  (That's a blue protective film on top of the door fronts right now).  Although the cabinetry units themselves were ready-made, the installation details are fairly customized, I worked one on one with the installer to explain how every component was to be cut/installed.

The only other non-custom piece of cabinetry in the house is the Powder Room vanity, a freestanding unit with a furniture look. The walls have now been painted the sconces are up and the mirror is ready to be hung.  Almost ready for guests....

The exterior of the house is undergoing a dramatic transformation. In addition to a new roof, the old windows and chunky mouldings have been replaced with modern aluminum windows. The entire house has received a new smoother stucco finish in a deep warm grey (not as brown as it looks in this photo).

New soffits and eaves being installed and finally the temporary front door will soon be replaced with a gorgeous custom wood door - its arrival will signify the complete modern transformation of this dated facade.

Next week its all about the eye candy: marble counters, backsplashes, stylish faucets and stunning light fixtures.  I can hardly wait.... 

For previous posts about this project including the before pictures, design plans and sketches, check out the links below:

A New Project: 70's Bungalow 

70's Bungalow: Progress 1

70's Bungalow: Progress 2

70's Bungalow: Bathroom Designs

70's Bungalow: Kitchen Design

All Photos:  Carol Reed

Weeping Willows

I love the colours of early spring,,,,when the fresh green leaves are so bright they practically look neon.  It can be especially surreal looking at dusk as the sun is low and the fresh leaves are illuminated in the sunlight.  Its still too cold here for the cherry blossoms to make an appearance or the magnolia buds to bloom (I'm anxiously waiting and watching, camera in hand) but today I came across the most beautiful setting of weeping willows that were a sure sign that spring has finally sprung.   The willow buds were a bright fresh chartreuse green they were almost glowing, the sight of them against the calm blue water and the bright green grass was spectacular.  Although I could have sat there for hours and just stared, I only spent about 20 minutes taking this series of photos today.  Some of them I'll have printed and framed up in contemporary frames for client spaces (or my own) one day, I just love the modern element photography adds to a room and that the subject matter and colour palette is limitless.  

I'll keep my eye on these weeping willows in the coming weeks,  maybe if I'm lucky I'll catch them on a misty morning or basking against a colourful evening sky.......

All photos:  Carol Reed

NYC: Inspired Impressions

While touring thru the Kips Bay Showhouse in NYC last November, Michelle and I got to chatting with a student volunteer who was monitoring one of the rooms (she was sweet enough not to bust us for taking photos!).  We exchanged cards with her and when she saw that Michelle was not only an Interior Designer but also illustrated interior renderrings, she excitedly told us abut the Jeremiah Goodman exhibit over at the New York School of Interior Design and insisting we MUST go see it while we were in town.  We of course, standing there dumb struck with awe that we hadn't heard about this exhibit until now,,,, only needed to be pointed in the right direction.  Its one of those things that you couldn't have planned, but which you felt was so meant to be - the timing was perfect, here I was in NYC with who I consider to be one of the best interior renderrers in the industry today,,,,,with the opportunity to view the works of the legendary interior illustrator, Jeremiah Goodman.  Its true, the best things in life are never planned!  Since it was too late that day for us to make it to the exhibit  we planned our visit for the very next day, allowing us lots of time to soak it all in.

The school itself is located on a beautiful leafy sidestreet, on the upper east side.  The steet is lined with beautiful old brownstones.

I fell in love with the neighbourhood with its sidewalk cafes and flowers shops - despite how expensive everything is in NY,,I had never seen roses this cheap in my life.  And the colours!!!  I practically cried at the mere thought of walking away empty handed...to this day I'm still not over it.  I stare at this picture a LOT and dream of the fresh bunch of colourful roses I could have on my desk every week,,for ONLY $10.00!!!!!!  Oh,,,kay,,, so back to the exhibit...

That's Michelle, patiently waiting for me while I admire and snap photos of the streetscape.....and fantasize about how awesome it would have been to go this design school!

Inside the school student sketches lined the corridor wall outside the gallery space.

I'm sure I could hear Michelle's heart racing as we entered the exhibit space.  We were familiar with Jeremiah Goodman's work before we arrived at the school, but for those of you who aren't, I'm sure you'll recognize many of the designer spaces he's painted.  He's renderred some of the most beautiful and famous interiors of our time.

Jeremiah Goodman in his Upper East Side apartment, image via Interior Design.

For seven decades Jeremiah Goodman, now 88,  has produced his artistic interpretations illustrating the glamorous interiors of high profile decorators and their famous clients such as; Bill Blass, Diana Vreeland, Greta Garbo, David Hicks, Billy Baldwin and Tony Duquette.  Between the years of 1952 to 1967 he was commissioned to illustrate every cover of Interior Design Magazine, depicting photographs of rooms featured in the magazine.  The exhibit at the NYSID, Inspired Impressions was a retrospective showcasing 38 of his favorite interior paintings, works dating from 1947 to 2009.

His painting were considered interpretations rather than exact reproductions, he was known for improving on the original interiors, often making them more glamorous than they were in life and injecting them with personality.

The entire experience was so surreal to me,,,it was amazing to view these paintings with Michelle and hear her describing and admiring Jeremiah's technique for capturing light and shadow and how you could see his rough draft pencil lines.  From his older works to present day you could see how his technique evolved over the years, from literal to more impressionistic.

His used gouache and mixed media on illustration board for most all of his work, some are painted from life and some from photographs done while standing and working over a table, not an easel with some completed in no more than 2 hours.  Living Room, Bel Air, California 2006.

David Hicks London drawing room, 1985.

This was Carolina Herrera's NYC Living room, 2009.  She attended the opening Party of the exhibit.

One of my favorites was this more recent paintings, the New York City townhouse of Reed Krakoff, CEO of Coach, painted in 2009.
What I was impressed with more than anything when I looked at the rooms was not only how much personality each room had but how utterly timeless they were.  Without looking at the dates on the paintings we simply couldn't guess how old they were, a great reminder that that's the trademark of great design.

Only one day after returning to Toronto, I was out sourcing and stopped in my tracks when I spotted this Monograph of......Jeremiah Goodman.  And then I looked up and saw his framed renderrings hung on the walls throughout the showroom.  How strange was it that I had crossed paths with this artists work twice in one week, in two different cities?  When I told the showroom assistant that I had just seen an exhibit of his work only a couple of days ago she was shocked,,,and wanted to know all the details.  She hadn't heard about the show, even the book and the prints they had were pretty rare.  For the first time ever, Goodman's exclusive dealer, Dean Rhys Mogan, had just recently made available these signed limited edition giclee prints.  His work has never before been available in preproduction form, the book on display in the store wasn't even for sale.

The sales associate gave me a tour around the shop, telling me about each of the renderings.  It was a great to hear more about the spaces he painted becasue when Michelle and I saw the exhibit the pieces were simply labelled with date, location and homeowner, there was no one in the gallery to tell us the story about the rooms.

Framed L.E. signed giclees for sale at 12|12.

Jeremiah only painted rooms that he admired and of people that interested him, his interpretations expressed his emotional response to the room injecting mood and personality into the renderings that a computer aided drawing alone just can't capture.  Its a rare art form that I truly hope is not a dying breed (as he's described it himself), in fact I believe if anything that automation has brought about a resurgence and renewed appreciation for the quality of hand renderrings.  With talented designers like Michelle so graciously willing to share and teach others her techniques I hope this art form can live on in tandem with technology.   Thanks to all her inspiration, I'm picking up my pens and markers more than ever before and realizing how powerful this age old technique can be.

Top Photo:  Jeremiah Goodman's home studio via Interior Design